Wednesday, March 19, 2014

PROLOG: Suami Tanpa Cinta Oleh Syamnuriezmil





“IBU, mama... Aid dengan Ain nak minta maaf banyak-banyak, sebab dah tipu ibu dan mama.”

Imani dan Airin memandang sesama sendiri. Zaidan menyuruh Airin dan Imani duduk. Takut nanti, jatuh pengsan pula ibu dan mama mertuanya. Sudahlah mereka berdua tu, ada sakit jantung dan darah tinggi.

“Jangan cakap merepek boleh tak Aid, Ain macam mana? Dok dalam bilik rawatan lagi ke? Kita tak boleh tengok dia lagi ke? Hang jangan nak raplah jingga pulak, bagi ibu cuak saja ni,” Imani mengusap dadanya. Mana tak terkejut, tatkala nampak muka si anak, si Zaidan beria-ia meminta maaf.

“Entah kamu ni Aid, mama pun dah libang-libu ni. Doktor kata apa?”

“Aid bukan apa, Aid rasa serba-salah pula. Aid tak nak, apa-apa jadi dekat Ain, jadi Aid nak minta maaf bagi pihak Ain, dengan Aid sekali.” Zaidan takut. Ain masih belum sedarkan diri.

“Apanya? Maaf apanya?” Imani mengerut dahi.

“Sebenarnya, Aid dengan Ain tak bercinta. Kita orang decide nak kahwin sebab nak gabungkan syarikat kita yang hampir muflis. Aid minta maaf, sebab menipu ibu dan mama. Tapi, jangan risau, jangan takut, jangan cuak, Aid dengan Ain sedang belajar cinta dan mencintai antara satu sama lain. Syarikat kita pun dah okey. Semuanya as planned...”


Airin dan Imani... tergamam!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Monday, February 3, 2014

Petikan Daripada "Dia....Aku Punya" - Izma Qaheira



“Good morning, Encik Fakhri. You cari I?” Gee menegur ramah. Dia berdiri sambil menghadiahkan senyuman manis kepada Fakhri.


“Dah berapa lama kerja di sini? Ini baru pertama kali you isi borang cutIi? Kenapa tak lengkap?”

Fakhri menolak kertas berwarna hijau yang dipegang tadi kepada Gee.

“Kan I tulis tu. Balik kampung,” bidas Gee.

“Balik kampung untuk apa? Beraya? Kucing meninggal? Itik beranak? Tulis dengan lengkap. Bukan macam budak sekolah rendah!”

Fakhri merenung tajam. Dia sedang berlawan dengan galau hatinya. Wajah Gee direnung sepuas hati. Wajah itu memang tidak memerlukan mekap tebal. Kecantikan semulajadinya menanggam mata Fakhri agar terus melekat kepadanya, terutamanya pada lesung pipit yang menghiasi pipi gebu gadis itu. Ulas-ulas bibirnya yang kecil melengkapkan lagi kecomelan rupa parasnya dan membuatkan tidur Fakhri agak terganggu kebelakangan ini.

“Bos!”
Fakhri tersentak. Dia berdehem.

“Apa you cakap tadi?” Fakhri buat muka selamba.
“Ada majlis perkahwinan di kampung.” Gee menjawab pendek. Dia masih berdiri mengadap lelaki itu.

“Hah! Boleh pun jawab. Kenapa tak tulis di dalam borang tu?” soal Fakhri sebelum dia berhenti sebentar untuk mengambil nafas. “Sebelum bercuti,
selesaikan semua kerja. Jangan menyusahkan orang lain yang akan gantikan you nanti. Macam dah tak ada hari lain nak bercuti. Shauki cuti, you pun sibuk nak cuti juga. Keluar sekarang!” arahnya sedikit keras. Tanpa
bantahan, Gee memusingkan badan untuk keluar dari bilik Fakhri.

“Gee!”
Gadis itu menoleh. “Yes?”
“Selamat pengantin baru.”

Gee merenung Fakhri. Sengaja dia menguntum senyuman manis buat majikannya itu. Pintu ditutup perlahan. Gee meninggalkan Fakhri yang sedang berperang dengan rasa hati sendiri.

Petikan Daripada Dilarang Masuk Ke Dalam Hatiku - Mia Kiff



“Masalahnya sekarang... abang nak, nak, nak, nak jadi suami Kifa! Lantaklah Kifa tak mahu pun, masalahnya kita dah nikah. Kita dah jadi suami isteri. Tak ada sebab kita nak berpisah. Kifa nak abang lepaskan Kifa supaya Kifa dapat kahwin dengan Arri tu kan? Lelaki yang tak bertanggungjawab tu? Apa pun alasan yang dia bagi, dah tak ada guna lagi. Siapa yang ada di sisi Kifa masa Kifa dalam kesusahan? Siapa yang terlalu baik hati tolong Kifa masa tu? Hah, siapa? Abang, sayang! Abang! Suami Kifayah!“ Engku Edry Ashman mendabik dadanya. Kifayah hanya mampu mendengar kenyataan yang sukar disangkal itu. Terdiam dia dibuatnya.

“Kalau pun Arri muncul hari tu, dia mampu ke nak bayar balik duit lelaki boroi yang mak dan ayah Kifa
habiskan tu? Dekat lima puluh lima ribu ringgit tau tak abang berhabis untuk Kifa pada hari tu? Abang tak pernah tau jadi bodoh macam ni kerana seorang perempuan. Tapi demi Kifa, abang sanggup jadi bodoh. Kifa tahu tak betapa hancurnya hati abang atas perbuatan Kifa? Tapi abang sabarkan hati ni. Kalau kita tak kahwin, mak dan ayah Kifa tetap akan cuba lain kali untuk kahwinkan Kifa dengan lelaki tu. Kifa perlukan seorang pelindung Kifa, iaitu abang, bukan Arri. Kifa sendiri tahu macam mana perangai mak dan ayah Kifa yang mata duitan tu, yang pentingkan kemahuan sendiri berbanding kebahagiaan anak-anak,“ terang Engku Edry Ashman akan perasaan yang terbuku dalam hatinya. 

Sebelum membawa Kifayah pulang selepas majlis pernikahan mereka, sempat lagi emak dan ayah Kifayah berpesan kepadanya agar memasukkan wang belanja untuk mereka pada tiap-tiap bulan. Jelas ketara sifat mata duitan mereka. Kifayah sedikit tersentuh. Memang benar sekali tanggapan Engku Edry Ashman. Jika tiada dia, sudah pasti Kifayah kini menjadi isteri Man Boroi. Lelaki ini telah berjasa dengan Kifayah dan Kifayah kini harus membalas jasanya itu dengan bergelar isteri. Kifayah terus menangis teresak-esak, sedih memikirkan masa depannya yang sudah musnah.

“Kalau pun Arri nak Kifa balik, semuanya dah terlambat sebab kita dah nikah. Hal cerai-berai ni, bukan
main-main. Abang dah serik, sayang. Cukuplah hal-hal dulu tu. Abang juga nak membina rumah tangga baru yang kekal bahagia. Abang dah lama simpan hasrat agar Kifa jadi isteri abang. Tapi, abang simpan angan-angan tu sebab Kifa dah ada Arri. Bila peluang datang, abang tak sanggup siasiakan peluang tu. Mulai hari ni, kita mulakan hidup baru. Kifa bukan saja harus ingat, tapi tanamkan dalam diri Kifa yang Kifa sekarang ni, sudah bergelar isteri kepada lelaki yang bernama Engku Edry Ashman. kenyataan,“ terang Engku Edry Ashman sekali lagi. Jika Kifayah masih belum faham-faham bahasa, dia akan menghantar e-mel atau SMS pula.

Kata-kata itu bagaikan menyedarkan Kifayah akan hakikat yang sudah berlaku dalam hidupnya. Engku Edry
Ashman ialah suaminya dan lelaki itu mempunyai hak ke atasnya. Memang betul kata Engku Edry Ashman, dia telah melakukan kerja gila kerana melarikan diri dengan Arrian menerima Syah sedangkan dia isteri orang.


Petikan "Jangan Bilang Tidak !" Volum 4 - Syamnuriezmil



AKU balik dari tempat kerja, wajah kesayangan hamba dah tersenyum di depan pintu pagar dengan taufufa
di tangannya. Aku nampak dari jauh isi kandungan bungkusan itu.

“Untuk sayang.”

“Terima kasih!”

Aku mengambil bungkusan itu dari tangannya.

“Taufufa?” Aku mengetap bibirku.

“Kenapa?”

“Abang niii.”

“Abang salah apa?”

“Orang kan tak suka taufufa gula putih!”

“Alahhh... Sorrylah, ini saja yang ada.”

“Tak apalahhh. Abang kerja ke petang ni?” tanya aku.

Hafsham mengangguk.

Lama tak lamalah aku berkasih dengan Hafsham, baru nak masuk tiga bulan. Itu pun lama juga dia
mengusyar aku sampai dapat, makan tahun juga! Aku ni kalau boleh, nak jumpa orang tu tak mahulah berkasih lama-lama, aku nak terus kahwin saja, tapi... mak kata aku gataiii pula! Baru nak masuk dua puluh lima tahun, dah nak kahwin. Dia suruh aku kerja dulu bagi stabil, bagi merasa duit aku beri kepada mak ayah, barulah kahwin. Si Hafsham pun setuju dengan mak aku, dia pun nak kumpul harta dulu. Hafsham kerja sama tempat dengan aku, cuma dia tu juruteknik kapal terbang, kerja belakang tabirlah! Syif aku dengan dia, selalu tak sama!

“Orang ambil job pramugari tu,” ujar aku.

Hafsham mengerut dahinya.

“Kenapa?”

“Upgradelah. Takkan nak lepak jaga kaunter saja.”

“Pula!”

“Kenapa? Abang tak bagi ke?” tanya aku.

“Bukan maksud abang nak mengongkong Ana, tapi tengoklah pakaian pramugari macam mana?” ujar
Hafsham sedikit kecewa dengan keputusan aku.

“Pakaian yang macam mana? Sama saja dengan baju yang orang pakai pi kerja tu.”

“At least Ana duduk dekat kaunter, tak jalan-jalan.

Karang kalau jalan, terbelah sana terbelah sini,” ujar Hafsham.

Aku tergelak. Dah memang uniformnya begitu!

Kira panjang jugalah kain aku tu, itu pun aku jahit sikit jangan bagi terbelah besar sangat. Akhirnya, aku berjalan pun macam orang Jepun jalan! Sikit-sikit... orang lain lima minit aje ambil masa nak pi punch kad, aku ambil masa dekat sepuluh minit dari tempat parkir. Huhhh... punyalah payah!

“Abang cakap, Ana ingat abang buat lawak pula!”

“Kalau macam tu, berhenti kerja, abang tanggung Ana. Ana jadi bibik dekat rumah, senang cerita,” ujar aku.“

Pelancaran Permata Hati October

Kami akan melancarkan ketiga-tiga permata hati kami pada 16hb Februari, 2014 di pejabat kami di:

C-12-GB, Jalan prima Saujana 2/B, Seksyen 2, Prima Saujana, 43000 Kajang, Selangor.

Buku-buku yang akan kami lancarkan pada hari tersebut adalah:

1. Kompilasi Cerpen sejumlah 6 volum karya Syamnuriezmil - Tercipta Untuk Mu

2. Dilarang Masuk ke Dalam Hatiku - Mia Kiff

3. Dia.....Aku Punya - Izma Qahiera



Datanglah beramai-ramai untuk mendapatkan nashkah anda serta beramah mesra dengan penulis-penulis di atas. Mereka juga ada menyediakan souvenier yang khas untuk anda jika anda datang pada hari itu.



Sunday, January 5, 2014

Anda Perlu Motivasi Untuk Menulis?


Susah untuk mendapat idea untuk Menulis? Di manakah anda boleh mendapat idea untuk menulis?


Gunakan pengalaman anda sendiri, kawan-kawan dan juga dengan melihat dan mendengar.....banyak inspirasi boleh di dapati. 



Maaf, tiada 'hard and fast rule' untuk menulis.


Ini hanyalah "Guidance" untuk anda. Gunakanlah ia untuk mula menulis.


Jangan gunakan " Writer's Block" sebagai alasan.


Tulislah dari hati sanubari anda, gunakanlah bakat anda dengan cara terbaik.....dan jangan putus asa.





Dan ahkir sekali teruskan menulis, dan sesiapa yang menggganggu anda, gunakan mereka sebagai watak dalam cerita anda :)


Tekunlah menulis kerana cerita ini telah menjadi tanggngjawab anda untuk menghabiskannnya.

Ingat.......


Selamat berkarya dan selamat berjaya. Manuskrip anda yang telah siap boleh dihantar kepada kami untuk diterbitkan. Hubungi kami di https://www.facebook.com/pages/October/202768909848865






Wednesday, January 1, 2014

Resolusi Tahun Baru Untuk Menulis Yang Anda Boleh Buat


Ia datang lagi...masa untuk membuat resolusi pada awal tahun. Ramai yang mengatakan bahawa resolusi selalunya tidak diikuti dan ia tidak akan mengubah apa-apa. 
Ianya akan berkesan, jika anda menjalankannya dengan cara yang betul. 
Jika anda ingin menjadi penulis yang lebih baik, anda boleh meraih segala kebaikan menjadi seorang pencipta kandungan tulisan yang strategik dan berwibawa, dan anda tidak akan mencapai apa yang dicita jika sekadar ingin "menjadi penulis yang lebih baik tahun ini".   Atau dengan berjanji dengan diri sendiri untuk menulis selama 6 jam sehari, tiap-tiap hari. 
Disini kami kongsikan satu tabii yang anda boleh mulakan - yang boleh membawa anda ke mana anda ingini. 
Pada setiap hari (walaupun pada hari cuti) dalam bulan Januari ini, tulislah selama 20 minit. 
Selama 20 minit itu, matikan segala gangguan....telefon, keluar daripada e-mail, dan juga Facebook atau  media sosial yang lain. 
Kadang-kadang anda mungkin menulis dalam buku nota semasa menanti bas. Kadang-kadang anda mungkin rasa apa yang anda tulis itu "crap' semata-mata. Teruskan.
Gunakan timer untuk 20 minit. Jangan edit semasa menulis. Ini hanya untuk "draft" sahaja.
Tulis sahaja...setiap hari, selama 31 hari. 
Ia tidak semestinya suatu projek besar...dan juga tidak semestinya suatu hasil penulisan yang baik. Tulis sahaja apa-apa. 
Anda mungkin ingin menggunakan Kaedah Seinfield, di mana anda tandakan "X" pada kalendar pada hari-hari yang anda menulis.
Apa harus dibuat jika anda tidak menulis?
Jika dengan menggunakan Kaedah Seinfield dan ia masih tidak berkesan untuk anda, pendekkan masa menulis anda ke 15 minit.
Jika ia tidak berhasil juga, kurangkan lagi ke 10 minit atau 2 minit.
Jika tidak boleh menulis selama 2 minit sehari, tulislah 1 perkataan sehari. Selepas beberapa hari cuba menulis 1 ayat pula. 
Tulislah ayat-ayat anda setiap hari selama 31 hari. Jika sampai 17 Januari belum juga bermula...tidak apa, mulakan sahaja.
“Tetapi bagaimana anda boleh menulis sebuah buku jika menulis satu ayat sahaja sehari”
Jika anda tidak menulis langsung setiap hari, menulis satu ayat adalah satu permulaan yang baik.
Bila anda sudah mulakan tabbi menulis satu ayat setiap hari, anda akan mula menulis tanpa disedari. 
Bila sudah bermula menulis setiap hari, anda boleh menambahkan masa menulis-mungkin 2 sesi 30 minit, dengan berehat selama 10 minit di tengah-ditengah. Kemudian 2 sesi 25 minit pula. 
Anda boleh tambahkan masa kemudian untuk memacukan diri anda untuk menulis dengan lebih lama setiap hari. 

Tuesday, December 17, 2013

5 Makanan & Minuman yang Dapat Meningkatkan Daya Konsentrasi Semasa Menulis


Semasa menulis, anda perlu mempunyai daya konsentrasi yang kuat. Jadi di sini, kami kongsikan 5 makanan dan minuman yang boleh meningkatkan daya konsentrasi anda.



Gandum. 
Sarapan di pagi hari sebelum memulai aktiviti harian merupakan sesuatu yang sangat penting. Sarapan bukan hanya boleh melancar metabolisme tubuh, tapi juga menjaga kadar gula dalam darah dan membuat tubuh terhindar dari diabetes. Sarapan dengan semangkuk cereal atau oat dapat membantu tubuh untuk mengatur kadar gula dalam darah, menjaga jantung tetap sihat, dan membuat kita lebih berkonsentrasi.

Ikan. 
Ikan mengandung Omega 3 dan DHA, yakni yang berperanan penting dalam sistem saraf manusia. Kekurangan DHA dapat membuat risiko terserang/alzheimer menjadi lebih tinggi. Selain itu, ikan juga kaya akan sodium yang dapat membuat Anda lebih tenang. Untuk otak dan jantung yang sihat, makanlah ikan minima dua kali dalam seminggu.

Kopi. 
Secawan kopi di pagi hari dapat membuat otak Anda bekerja lebih jernih. Kopi mengandungi kafein yang mampu membuat Anda lebih segar, termasuk jika Anda mengkonsumsi coklat ataupun minuman bertenaga. Namun, Anda harus berhati-hati, karena jika Anda mengambil kafein terlalu banyak, bukan pikiran jernih yang Anda dapatkan, melainkan kegelisahan karena otak Anda bekerja terlalu keras.



Alpukat. 
Alpukat/Avocado merupakan sumber lemak yang baik untuk kesehatan, termasuk juga untuk mendorong sirkulasi darah agar lebih lancar. Sirkulasi darah penting untuk menunjang otak agar dapat bekerja maksimal. Alpukat mampu membuat darah mengalir dengan baik hingga ke otak, sehingga Anda bisa berkonsentrasi dan berpikir dengan jernih. Jus alpukat biasa menjadi minuman yang lebih sering Anda pilih.

Tomato. 
Tomato mengandung lycopene, yakni senyawa anti-oksidan yang sangat berguna untuk melindungi Anda dari radikal bebas yang mampu merosakkan sel-sel dalam otak. Radikal bebas dipercaya dapat membuat Anda mengalami demensia, dan alzheimer, penyakit yang kini kerap kali menghantui masyarakat moden

{Diolah dari Huffington Post}

Monday, December 16, 2013

20 Common Grammar Mistakes That (Almost) Everyone Makes


I’ve edited a monthly magazine for more than six years, and it’s a job that’s come with more frustration than reward. If there’s one thing I am grateful for — and it sure isn’t the pay — it’s that my work has allowed endless time to hone my craft to Louis Skolnick levels of grammar geekery.
As someone who slings red ink for a living, let me tell you: grammar is an ultra-micro component in the larger picture; it lies somewhere in the final steps of the editing trail; and as such it’s an overrated quasi-irrelevancy in the creative process, perpetuated into importance primarily by bitter nerds who accumulate tweed jackets and crippling inferiority complexes. But experience has also taught me that readers, for better or worse, will approach your work with a jaundiced eye and an itch to judge. While your grammar shouldn’t be a reflection of your creative powers or writing abilities, let’s face it — it usually is.
Below are 20 common grammar mistakes I see routinely, not only in editorial queries and submissions, but in print: in HR manuals, blogs, magazines, newspapers, trade journals, and even best selling novels. If it makes you feel any better, I’ve made each of these mistakes a hundred times, and I know some of the best authors in history have lived to see these very toadstools appear in print. Let's hope you can learn from some of their more famous mistakes.

Who and Whom

This one opens a big can of worms. “Who” is a subjective — or nominative — pronoun, along with "he," "she," "it," "we," and "they." It’s used when the pronoun acts as the subject of a clause. “Whom” is an objective pronoun, along with "him," "her," "it", "us," and "them." It’s used when the pronoun acts as the object of a clause. Using “who” or “whom” depends on whether you’re referring to the subject or object of a sentence. When in doubt, substitute “who” with the subjective pronouns “he” or “she,” e.g., Who loves you? cf., He loves me. Similarly, you can also substitute “whom” with the objective pronouns “him” or “her.” e.g., I consulted an attorney whom I met in New York. cf., I consulted him.

Which and That

This is one of the most common mistakes out there, and understandably so. “That” is a restrictive pronoun. It’s vital to the noun to which it’s referring.  e.g., I don’t trust fruits and vegetables that aren’t organic. Here, I’m referring to all non-organic fruits or vegetables. In other words, I only trust fruits and vegetables that are organic. “Which” introduces a relative clause. It allows qualifiers that may not be essential. e.g., I recommend you eat only organic fruits and vegetables, which are available in area grocery stores. In this case, you don’t have to go to a specific grocery store to obtain organic fruits and vegetables. “Which” qualifies, “that” restricts. “Which” is more ambiguous however, and by virtue of its meaning is flexible enough to be used in many restrictive clauses. e.g., The house, which is burning, is mine. e.g., The house that is burning is mine.

Lay and Lie

This is the crown jewel of all grammatical errors. “Lay” is a transitive verb. It requires a direct subject and one or more objects. Its present tense is “lay” (e.g., I lay the pencil on the table) and its past tense is “laid” (e.g.,Yesterday I laid the pencil on the table). “Lie” is an intransitive verb. It needs no object. Its present tense is “lie” (e.g., The Andes mountains lie between Chile and Argentina) and its past tense is “lay” (e.g., The man lay waiting for an ambulance). The most common mistake occurs when the writer uses the past tense of the transitive “lay” (e.g., I laid on the bed) when he/she actually means the intransitive past tense of “lie" (e.g., I lay on the bed).

Moot

Contrary to common misuse, “moot” doesn’t imply something is superfluous. It means a subject is disputable or open to discussion. e.g., The idea that commercial zoning should be allowed in the residential neighborhood was a moot point for the council.

Continual and Continuous

They’re similar, but there’s a difference. “Continual” means something that's always occurring, with obvious lapses in time. “Continuous” means something continues without any stops or gaps in between. e.g., The continual music next door made it the worst night of studying ever. e.g., Her continuous talking prevented him from concentrating.

Envy and Jealousy

The word “envy” implies a longing for someone else’s good fortunes. “Jealousy” is far more nefarious. It’s a fear of rivalry, often present in sexual situations. “Envy” is when you covet your friend’s good looks. “Jealousy” is what happens when your significant other swoons over your good-looking friend.

Nor

“Nor” expresses a negative condition. It literally means "and not." You’re obligated to use the “nor” form if your sentence expresses a negative and follows it with another negative condition. “Neither the men nor the women were drunk” is a correct sentence because “nor” expresses that the women held the same negative condition as the men. The old rule is that “nor” typically follows “neither,” and “or” follows “either.” However, if neither “either” nor “neither” is used in a sentence, you should use “nor” to express a second negative, as long as the second negative is a verb. If the second negative is a noun, adjective, or adverb, you would use “or,” because the initial negative transfers to all conditions. e.g., He won’t eat broccoli or asparagus. The negative condition expressing the first noun (broccoli) is also used for the second (asparagus).

May and Might

“May” implies a possibility. “Might” implies far more uncertainty. “You may get drunk if you have two shots in ten minutes” implies a real possibility of drunkenness. “You might get a ticket if you operate a tug boat while drunk” implies a possibility that is far more remote. Someone who says “I may have more wine” could mean he/she doesn't want more wine right now, or that he/she “might” not want any at all. Given the speaker’s indecision on the matter, “might” would be correct.

Whether and If 

Many writers seem to assume that “whether” is interchangeable with “if." It isn’t. “Whether” expresses a condition where there are two or more alternatives. “If” expresses a condition where there are no alternatives. e.g., I don’t know whether I’ll get drunk tonight. e.g., I can get drunk tonight if I have money for booze.

Fewer and Less

“Less” is reserved for hypothetical quantities. “Few” and “fewer” are for things you can quantify. e.g., The firm has fewer than ten employees. e.g., The firm is less successful now that we have only ten employees.

Farther and Further

The word “farther” implies a measurable distance. “Further” should be reserved for abstract lengths you can't always measure. e.g., I threw the ball ten feet farther than Bill. e.g., The financial crisis caused further implications.

Since and Because

“Since” refers to time. “Because” refers to causation. e.g., Since I quit drinking I’ve married and had two children. e.g., Because I quit drinking I no longer wake up in my own vomit.

Disinterested and Uninterested

Contrary to popular usage, these words aren’t synonymous. A “disinterested” person is someone who’s impartial. For example, a hedge fund manager might take interest in a headline regarding the performance of a popular stock, even if he's never invested in it. He’s “disinterested,” i.e., he doesn’t seek to gain financially from the transaction he’s witnessed. Judges and referees are supposed to be "disinterested." If the sentence you’re using implies someone who couldn't care less, chances are you’ll want to use “uninterested.”

Anxious

Unless you’re frightened of them, you shouldn’t say you’re “anxious to see your friends.” You’re actually “eager,” or "excited." To be “anxious” implies a looming fear, dread or anxiety. It doesn’t mean you’re looking forward to something.

Different Than and Different From

This is a tough one. Words like “rather” and “faster” are comparative adjectives, and are used to show comparison with the preposition “than,” (e.g., greater than, less than, faster than, rather than). The adjective “different” is used to draw distinction. So, when “different” is followed by a  preposition, it should be “from,” similar to “separate from,” “distinct from,” or “away from.” e.g., My living situation in New York was different from home. There are rare cases where “different than” is appropriate, if “than” operates as a conjunction. e.g.,Development is different in New York than in Los Angeles. When in doubt, use “different from.”

Bring and Take

In order to employ proper usage of “bring” or “take,” the writer must know whether the object is being moved toward or away from the subject. If it is toward, use “bring.” If it is away, use “take.” Your spouse may tell you to “take your clothes to the cleaners.” The owner of the dry cleaners would say “bring your clothes to the cleaners.”

Impactful

It isn't a word. "Impact" can be used as a noun (e.g., The impact of the crash was severe) or a transitive verb (e.g., The crash impacted my ability to walk or hold a job). "Impactful" is a made-up buzzword, colligated by the modern marketing industry in their endless attempts to decode the innumerable nuances of human behavior into a string of mindless metrics. Seriously, stop saying this.

Affect and Effect

Here’s a trick to help you remember: “Affect” is almost always a verb (e.g., Facebook affects people’s attention spans), and “effect” is almost always a noun (e.g., Facebook's effects can also be positive). “Affect” means to influence or produce an impression — to cause hence, an effect. “Effect” is the thing produced by the affecting agent; it describes the result or outcome. There are some exceptions. “Effect” may be used as a transitive verb, which means to bring about or make happen. e.g., My new computer effected a much-needed transition from magazines to Web porn. There are similarly rare examples where “affect” can be a noun. e.g., His lack of affect made him seem like a shallow person.

Irony and Coincidence

Too many people claim something is the former when they actually mean the latter. For example, it’s not “ironic” that “Barbara moved from California to New York, where she ended up meeting and falling in love with a fellow Californian.” The fact that they’re both from California is a "coincidence." "Irony" is the incongruity in a series of events between the expected results and the actual results. "Coincidence" is a series of events that appear planned when they’re actually accidental. So, it would be "ironic" if “Barbara moved from California to New York to escape California men, but the first man she ended up meeting and falling in love with was a fellow Californian.”

Nauseous

Undoubtedly the most common mistake I encounter. Contrary to almost ubiquitous misuse, to be “nauseous” doesn’t mean you’ve been sickened: it actually means you possess the ability to produce nausea in others. e.g., That week-old hot dog is nauseous. When you find yourself disgusted or made ill by a nauseating agent, you are actually “nauseated.” e.g., I was nauseated after falling into that dumpster behind the Planned Parenthood. Stop embarrassing yourself.

Wednesday, December 11, 2013

When Authors Engage in Public Speaking

by Patricia L. Fry


It's encouraged. It's sometimes necessary. Authors often engage in public speaking in order to promote their books. But not all authors are prepared and trained for this activity. And not all authors even want to participate.
Let's look at the scope of authors' attitudes and aptitudes when it comes to public speaking. There are authors who:
  • are absolute naturals in the public speaking realm.
  • absolutely hate the thought of standing before an audience.
  • are game speakers, but have poor skills.
Is speaking one of your book promotion activities? Do you hope to start speaking to large and small groups as a way to gain exposure for your book? Please, before you launch out on the speaking circuit, heed the following advice:

  1. Join Toastmasters and actively participate for at least a year. You will benefit in ways that you can't even imagine. Go to Toastmasters International for a list of clubs near you.

  2. Volunteer for opportunities to speak. Take leadership of a project at work or for a charity. Offer to go around and educate citizens on a political issue or to raise funds for the library expansion, for example.

  3. Attend other speakers' programs. If you are observant and alert, you will learn volumes about public speaking by listening and watching. How does the audience respond to the speaker? What techniques seem to work (and what don't work) for this speaker? What would you do differently to put the audience at ease, make this a more pleasing experience for the audience, etc?

  4. Get involved with a storytelling group. This is a particularly fun way to improve your speaking skills. You'll also get some training and practice in using vocal variety.

  5. Hire a voice coach. If you have a soft voice that doesn't carry well or a voice that is not pleasant to listen to, a voice coach might be able to help. You'll find voice coaches listed under music teachers in the Yellow Pages.

  6. Find a mentor -- someone whose speaking abilities you admire.

  7. Start locally. Before heading out to parts unknown to speak about your book in front of huge crowds, plan speaking gigs locally. Speak to the women's group at your church, your local Optimists or Rotary Club, a gathering at the museum or bookstore or even a group of neighbors, for example.

Public speaking rule breakers.


  • Many speakers let their voices trail off at the end of every sentence. The audience can hear the first part of their sentence, but they have no idea what pearls of wisdom might be lost in the whispers at the end. Sometimes this speaker will deliver complete sentences inaudibly while looking down -- obviously not interested at that moment in engaging the audience.
  • Some speakers are not good readers. If you are not skilled at reading something out loud, don't do it while speaking. Especially avoid doing this secretly. In other words, if you plan to deliver your speech by reading all or part of it, and you do not have good out loud reading skills, forget it.
  • Mumbling is not cool. Inexperienced speakers will often speak at conversation level, not giving any thought or consideration to the people in the back of the room. Recently, I sat in on a panel discussion at a workshop. The panelists chose to sit instead of stand to address the standing-room-only crowd, which I thought was rude. And one man, whenever it was his turn to speak, would rest his elbows on the table and fold his hands in front of his mouth during the entire time that he was speaking.
  • Inexperienced or thoughtless speakers leave members of the audience out. When an audience member asks a question, it is rarely heard in the back of the room. I've seen many expert speakers respond to the question by engaging in a one-on-one conversation with this person while the rest of the audience is left wondering. Speakers, I urge you to repeat the question so everyone is on the same page. And then respond to the question so that everyone in the room can hear it.
  • Some speakers choose to sit down on the job. In a very small, intimate group or when the audience is sitting in a circle of chairs or on the floor, for example, speaking while seated is generally okay. But if you have a room containing six rows of chairs or more, you really should express respect for those in the back of the room by standing so that you can be seen as well as heard.
  • Even some professional speakers still use too many filler words. It takes practice, but you can rid your vocabulary (especially while speaking in public) of those filler words like, uh, ah, er. Also avoid connecting sentences by overusing "and."
  • Many speakers have trouble staying within the time allotment. Most programs or presentations are carefully organized. Each segment is designed to fit into a specific time slot. I've seen speakers completely disregard their time constraints and foul up the entire evening's program. Not cool.
I've written many articles on the topic of public speaking. The following is excerpted from one of them. This list offers specific tips to help get your started on your way to successful public speaking:
Speak out. Many inexperienced orators speak too softly or they allow their voices to drop toward the end of their sentences. Practice speaking up and speaking out. Whether addressing a large audience or a small group, always speak so that you can be heard even in the back of the room.
Repeat audience questions. When someone asks a question during your presentation, always repeat it before answering it. This ensures that everyone hears it.
Make eye contact. Move your attention around the room as you speak, making eye contact with each person.
Don't apologize. Avoid sabotaging your presentation by making excuses for not being well prepared or for poor speaking skills. Stand tall, appear self-assured and you will gain the confidence of the audience.
Use vocal variety. Make your talks more enjoyable by using an assortment of vocal tones and pitches rather than speaking in monotone. If you need help developing vocal variety, practice reading to children. Use your highest and lowest voice and everything in between.
Eliminate non-words. Inexperienced speakers generally use so many filler words that Toastmasters actually have an "ah counter" at every meeting. This person counts the number of filler words each member uses in the course of the meeting. Filler words include uh, ah, um, er and so forth.
Eliminate poor speaking habits. Rid your vocabulary of stagnant verbiage. Break yourself of those mundane phrases you like to repeat, such as, "yada, yada, yada" or "know what I mean?" Likewise, watch the overuse of words like "really." Saying "I was exhausted" is a stronger sentence than saying, "I was really exhausted." You can explain how exhausted you were by saying, "I was exhausted beyond anything I'd ever experienced before," or "I was so tired I could have slept for a month."
Be prepared. You will be more at ease if you know what to expect. Find out if there will be a podium or microphone, for example. How many people do they expect? How will the room be set up? Also, have your props or notes organized so there will be no annoying fumbling during your presentation.
Know your audience. And gear your speech to the needs and interests of this particular audience. When I talk about the local history, I give a completely different talk to students at local elementary schools than I do when addressing civic organizations or historic society members.
Anyone can get up in front of an audience and speak. How well you do it is what counts.

http://www.writing-world.com/promotion/pubspeaking.shtml